Squares, streets, rivers, hills - for many years they have been my stages, the canvases on which to paint my visions, the pages of my urban theater. Today I turn my binoculars backwards, creating installations that are like inward paintings, no longer made to be looked at for free by citizens in general, but by those who really want to appropriate them intimately, to own them, and exhibit them for what they are, works of art hanging on the walls.